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Working closely with the director Adam McKay, Morris designed the visual
styling and helped supervise the Green screen shoot. This quicktime
piece contains most of the animation. Available on DVD in late December.
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Heroscape. August 2004
Morris produced a 3 minute long form piece that Grey Advertising and
Hasbro had cut into two 60 second commercials. The long form was
distributed on CD as a give away in Kids Sports Illustrated. This was
truly a multi media production, Maya computer generated fly through
sequences and fx, 2D stylized character animation and several other
computer graphic programs for special fx and editing.
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This video was produced in 2002 and was number 1 in both the USA and Europe for many months. The live action was directed by Dave Meyers and the animation was a collaboration with Graham. The animation sets were built in 3D studio and enhanced in Photoshop were based on the live action location.
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This was the last video to come from the album Chocolate Starfish and the Hot Dog Flavored Water. Again directed with Dave Meyers, the animation design was inspired by the album cover. We designed Fred Durst with the alien character in mind. He enters and underground world of machinery and mystery and is chased through it by starfish and eventually is confronted by a hot dog monster to exit unscathed.
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This piece is a title sequence for a new Play station 2 video game based on the Designs of Todd McFarlane. The game is temporarily named Monsters for working purposes. The game is to be released this summer, we believe!
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This video was truly collaborative affair with four people being involved in its direction, which won Grammys for all four in 2000. Based on the Album cover designed by Todd we took the story of the flying bullet into the world of animation, where its danger in the hands of an irresponsible adult is nullified by the innocence of youth.
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Altar Boys: The animation sequences were inter-cut into a feature directed by Peter Care and produced by Jodie Fosters Egg pictures. The animation depicts the altar egos of two catholic boys who lives are far from happy. Their fantasy lives are played out in a comic book that comes to life in animated form to contrast reality. One takes on the appearance of Brakken, a tree like figure whose heart is more sympathetic than Skeleton Boy whose own demons turn him into a pugnacious fighting machine.
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Billy Corgan of the late Smashing Pumpkins and currently Zwan conceived this project on paper, that Graham Morris took to another level in animation. Set in the future the core idea is a human battle against the machine, the machine being symbolized by corporate greed. Not yet released.
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